16,5x24. 256 pp. Ed. KRK. Enc. editorial. Oviedo, 2012.

Filosofía de la Música/Philosophy of MusicDirector invitado/Guest Editor: Julián Marrades MilletJ.Marrades Millet, Una perspectiva sobre la filosofía de la música/ A View on the Philosophy of MusicV. Guerreiro, Thinking Clearly About MusicJ. W. Lango, Why Can Sounds Be Structured as Music?A. Schiavio, Constituting the Musical Object: A Neurophenomenological Perspective on Musical ResearchS. Davies, Authentic Performances of Musical WorksJ. Neufeld, Critical PerformancesA. Bertinetto, Paganini Does Not Repeat. Musical Improvisation and the Type/Token OntologyJ. Levinson, Musical BeautyS. E. Eckerson, Contrarianism in the Philosophy of Music and the Role of the Idea in Musical Hermeneutics and Performance InterpretationE. Negretto, Expectation and Anticipation As Key Elements for the Constitution of Meaning in MusicD. Quesada, Musical ExperienceM. J. Alcaraz, Music’s Moral CharacterC.Moreno, Los oídos prestados y el apeiron sonoro. Notas para una filosofía de la músicaJ. Garrison, The Social Value of Ritual and Music in Classical Chinese ThoughtNotas críticas/Critical NoticesJ. Acero y N. Villanueva, Arte, música y emoción (Jerrold Levinson, Music, Art and Metaphysics)R. Guijarro Lasheras, En busca del concepto musical:tres criterios clave y una cuestión de misterio(Theodore Gracky y Andrew Kania, The Routledge Companion to Philosophy and Music).ISBN: 979-84-0210-0160-1